![]() ![]() Barney Kessel, also Muskogee-born, played with Charlie Parker and Oscar Peterson and, as a sought-after session musician, became one of the most recorded guitarists of all time he ranked among the top of ‘50s and ‘60s national and international jazz polls. Hal Singer, who played with such greats as Charlie Watts and Duke Ellington, made his mark with the #1 instrumental hit “Corn Bread” and went on to lead a band in France. Roy Milton and Ernie Fields also based most of their musical careers in Oklahoma, making strides in the nascent genre of R&B. He also wrote the hit “Confessin’ the Blues,” which the Rolling Stones would go on to cover in 1964. His big band featured some of the most influential jazz musicians of the time, including Charlie Parker, Bernard Anderson, and Ben Webster. Jay McShann, born in Muskogee, exemplified the Kansas City sound. As a result, Oklahomans became deeply involved in the swing and bebop eras of jazz. The black migration westward after World War I, which continued until the Great Depression, spread Oklahoma’s jazz music across the country.ĭuring and after the Depression, which closed clubs and jobs, Kansas City jazz took to the road “traveling jazz bands” roamed the Southwest, making major stops in Tulsa, Muskogee and Oklahoma City. The evolution of jazz music, according to historian and University of Oklahoma professor William Savage Jr., can be traced through the migration of blacks westward from New Orleans, through Texas and Oklahoma, to Kansas City.įrom 1890 to 1910, blacks immigrated to Oklahoma, turning El Reno into a center for ragtime musicians and creating the “black towns” of Langston (1892), Clearview (1903), and Boley (1904), which developed their own marching and concert bands just as prior Indian Territory communities had. Oklahoma musicians were instrumental in the creation of the so-called “Kansas City” style of jazz, bluesy dance music contrasting with the Dixieland ragtime of New Orleans. Hardback, 128 pages.They call jazz “America’s classical music.” Jazz was born and bred in the United States originally inspired by ragtime and folk songs, early jazz artists drew their musical inspiration from country dances, field hollers, work songs, and the blues. from the blues to rag time, to rock and roll. ![]() ![]() Like the blues, jazz was at first an oral tradition founded by African Americans as a passionate expression of social condition, combining both African American and European American influences. Explore the roots, the creators, and enjoy the music and videos of over 30 genres. Jazz Style in Kansas City and the Southwest. The Jazz History Tree is designed to provide a fun, educational, digital, and interactive trip through Jazz History from its African American origins to today. Product Specifications Published by University of Nebraska Press, 2018. An interactive journey through the history of Jazz. She is the author of Queerness in Heavy Metal Music: Metal Bent. Clifford-Napoleone is an associate professor of anthropology and director of McClure Archives and University Museum at the University of Central Missouri. Clifford-Napoleone rectifies this oversight and shows how Kansas City represents the complexity of the jazz scene in America as a microcosm of all the other people who made the culture, clubs, music, and cabarets of the age possible. This approach overlooks the region’s contested territories, identities, and memories and fails to adequately explain the social and cultural disruptions experienced on the plains. ![]() Few books examine the changing ideas about gender in the turn-of-the-century Great Plains, under the false assumption that people in middle-American places experienced cultural shifts only as an aftershock of events on the coasts. Clifford-Napoleone takes an interdisciplinary approach to provide a critical deconstruction of how the jazz scene offered a space for non-normative gender practice and performance and acted as a site of contested identity and spatial territory. Cabarets, gender impressionism clubs, and sites of sex tourism in Kansas City served as world-making spaces for those whose performance of identity transgressed hegemonic notions of gender, sexuality, race, and class. Though Kansas City’s music, culture, and stars are well covered, Queering Kansas City Jazz supplements the grand narrative of jazz history by including queer identities in the city’s history while framing the jazz-scene experience in terms of identity and space. The Jazz Age, a phenomenon that shaped American leisure culture in the early twentieth century, coincided with the growth of Kansas City, Missouri, from frontier town to metropolitan city. ![]()
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